There’s a stable cause there are such a lot of horror motion pictures and thrillers with blind protagonists — it’s a straightforward solution to create massive pressure. Movie is a visible medium, and making the risks seen to the viewers is a should. Making them invisible to the lead character on the identical time is often an advanced means of planning, exposition, or staging. However taking a protagonist’s sight out of the equation creates an instantaneous imbalance between the particular person onscreen and the viewers, who can see at each second precisely what perils their hero may be lacking.
Films like Dancer within the Darkish, Julia’s Eyes, The Eye, Blink, and In Darkness all use blindness to make already-vulnerable feminine leads much more weak — not simply to stalkers, predators, and supernatural threats, however to self-doubt, marginalization, and dismissal from the individuals who needs to be defending them. Greater than any of those, although, the brand new thriller See For Me performs like a contemporary replace of the 1967 traditional Wait Till Darkish, with Audrey Hepburn making an attempt to outwit manipulative felony Alan Arkin after he invades her dwelling. See For Me updates the home-invasion method with a few intelligent twists and a key relationship. However writers Adam Yorke and Tommy Gushue and director Randall Okita solely push the method to date earlier than they run out of innovation.
Skyler Davenport stars as Sophie, a former teen snowboarding champion residing with an overprotective, overbearing mom after being blinded. Sophie has a profitable sideline in cat-sitting for very wealthy individuals, which will get her out of the home and provides her some independence, but in addition means regularly coping with new environs the place she doesn’t know the structure. Complicating the scenario: She’s ferociously unbiased, to the purpose of resisting even probably the most fundamental tour of the most recent sprawling glass-and-steel mansion she’s caretaking.
That leaves her at a drawback when she unintentionally locks herself out of the home — it’s in a distant wooded space, an extended drive away from assist. So she tries a brand new assistive app, See For Me, that networks her with a helper who faucets into her cellphone digicam and talks her by way of what’s round her. She and the helper, good-humored army vet and video gamer Kelly (Jessica Parker Kennedy), kind a tentative bond, which instantly is useful when burglars break into the home to entry a big protected. Out of the blue, Sophie is enjoying cat and mouse with three criminals she will be able to’t see in an unfamiliar atmosphere.
There’s an gratifying meta side to all of this, each for avid gamers and horror-movie buffs. Kelly is a transparent media aficionado who’s remotely tuning into Sophie’s life from a soft gaming station, full with a number of displays and an Alienware headset. In a single sense, she’s like a gamer enjoying a horror title, making an attempt to navigate her cost previous lunging adversaries and shifting environmental threats. Seen one other manner, Kelly is actually a horror-movie fan with full freedom to yell “Don’t go that manner, he’s ready for you!” or “Choose up that gun and shoot him!” on the display screen with out bothering anybody else.
In contrast to most horror-movie victims, Sophie can really hear and reply to her viewers’s frantic directions. That’s the place See For Me deviates furthest from the Wait Till Darkish method of a blind lady making an attempt to out sneak and outthink a harmful man — Sophie not less than has a lifeline and an ally. However not like a personality in a horror sport, Sophie periodically ignores Kelly’s directions, for quite a lot of clearly outlined private causes that she largely retains secret from her helper.
A superb a part of the film’s pressure is within the fluctuating hyperlink between the 2 ladies — whether or not Kelly can reply to her restricted interpretation of Sophie’s atmosphere sufficient to provide her helpful steering, how Sophie’s personal important agenda performs into the story, and the way their personalities cohere or conflict. Simply one of the best a part of the movie is the push-and-pull between them, as Sophie’s bitterness about feeling dependent makes her push again in opposition to Kelly, and Kelly’s army expertise has her demanding extra violence out of Sophie than Sophie is snug with.
If See For Me was as taut and intelligent concerning the battle between Sophie and the thieves, it’d be an distinctive thriller. It’s unlucky that Gushue and Yorke are inclined to dispose of doubtless fascinating characters earlier than they’ve had an opportunity to develop, and that they ultimately ditch the film’s distinctive facets in favor of one other been-there-done-that stalking scenario in the home. Okita will get a significant benefit from the setting, together with his digicam regularly observing Sophie by way of the home’s many glass partitions, turning her right into a flailing animal navigating an oppressive aquarium.
Different facets of the course hamper the movie considerably, although; slack modifying makes the ultimate act plod, the rating is weirdly generic and indifferent, and the repetition of Sophie stumbling round at nighttime ultimately accumulates in a irritating manner. It’s doable to make that dynamic riveting — take a look at Don’t Breathe, which flips the swap by turning the blind sufferer of a house invasion into the terrifying villain of the story — however See For Me doesn’t do sufficient to differentiate one confrontation from the subsequent as soon as the actual risks kick in.
The movie does have stable belongings in Davenport and Kennedy. Sophie is simply bristly and self-pitying sufficient to really feel extra like an actual particular person than a inventory ingenue. Davenport embraces the chip on the character’s shoulder and makes it seem to be a pure, comprehensible outgrowth of her scenario, even because the movie exhibits how alienating and worrisome her gentle belligerence will be to different individuals. Kennedy has an interesting heat with sufficient metal underneath it to make her backstory make sense, although the script doesn’t do her many favors by abandoning her improvement proper after she begins revealing her previous.
However the two ladies and their uncommon partnership are sufficient to make See For Me an agreeable night’s diversion, good for a couple of shocks and surprises. It gained’t be part of the pantheon of nice horror motion pictures, or make individuals overlook the Wait Till Darkish ending that’s been making audiences scream since 1967. However the filmmakers know the clear benefits that include this explicit horror subgenre, they usually’re not less than dedicated to each exploiting its potential for shudders, and discovering methods to refresh it for a brand new period.