Marvel made Venom a god and Thanos president of the Eternals

The final time Venom bought an entire crossover for symbiote shenanigans, he walked away with a seriously big upgrade: Eddie Brock is now the god of all symbiotes, with the ability to flit by way of their minds at will, irrespective of the place they’re within the universe.

This week’s Venom #1 revealed a brand new energy: Eddie may piggyback on the minds of all symbitoes all through time, leading to some fairly freaky visions — and a straightforward means for writers Al Ewing (Immortal Hulk) and Ram V (Swamp Factor) to tease what’s developing within the new collection.

What else is occurring within the pages of our favourite comics? We’ll let you know. Welcome to Monday Funnies, Polygon’s weekly listing of the books that our comics editor loved this previous week. It’s half society pages of superhero lives, half studying suggestions, half “take a look at this cool artwork.” There could also be some spoilers. There will not be sufficient context. However there will probably be nice comics. (And for those who missed the final version, read this.)

Picture: Al Ewing, Ram V, Bryan Hitch/Marvel Comics

Don’t fear, there’s nonetheless street-level Venom adventures to follow, as Eddie’s son Dylan companions with the Venom symbiote for unhealthy man beat ‘em ups. However for Eddie’s god-sized powers, there are god-sized issues, like this symbiote-inhabiting entity who might or might not name itself Bedlam.

All I do know is I hate his eyes.

“Hey, kid. What’s up?” says Killer Croc, who, even kneeling, looms hugely above Robin/Dick Grayson in Robin & Batman #1 (2021).

Picture: Jeff Lemire, Dustin Nguyen/DC Comics

Robin & Batman #1 is Candy Tooth’s Jeff Lemire taking a swing at Dick Grayson’s early days as Robin with the assistance of Dustin Nguyen’s moody watercolors. The factor I favored finest about it was the top of problem tease, the place it looks like Killer Croc goes to turn into a participant within the narrative due to an surprising connection: He was among the many “oddities” displayed by the circus that employed the Graysons.

“Your choice is supposed to define you. It’s your everything. It’s who you’re going to be after you leave here,” explains a bald teen character as he walks away with a record of Hall and Oates’ Private Eyes. A pregnant teen next to him yells “Hey!” in What’s the Furthest Place From Here? #1 (2021).

Picture: Tyler Boss, Matthew Rosenberg/Picture Comics

What’s the Furthest Place From Right here? #1 is about in a wierd world the place life ends the second you flip 18, unusual wraiths patrol the streets, and gangs of youngsters tribalize round decaying retail institutions, constructing their very own tradition round artifacts they don’t even perceive, Mad Max type. If that didn’t appear bizarre sufficient, one of many fundamental characters is pregnant and none of them even know what that is. I’ll positively be studying extra points.

“I sometimes forget how much politics can refresh the spirit,” says a triumphant Thanos over the body of Zuras in Eternals #7 (2021).

Picture: Kieron Gillen, Esad Ribić/Marvel Comics

Oh! Thanos is president of the Eternals now! That sentence totally makes sense!

A prospective member of the warlike Bana-Mighdall is accepted for choosing a nonlethal weapon while her cohorts are rejected for choosing guns in the backup story of Wonder Woman #781 (2021).

Picture: Vita Ayala, Skylar Patridge/DC Comics

If there’s one factor that again up tales — a traditional superhero custom that DC has revived throughout lots of its largest titles this yr — is the chance to world construct in methods you possibly can’t in the principle title. And Vita Ayala continues a pattern of adding more cultural tradition to Wonder Woman canon with this brief story about how girls are inducted into the Bana-Mighdall. (That’s, the warlike, not immortal offshoot of the Amazons who rejected the Greek gods to kind their very own secret warrior society in Man’s World.)

Four power-rangers like characters loudly and woodenly discuss how they suddenly have vast martial artist knowledge. A panel later, a fifth character points hilariously at a silver automobile while shouting “I’m connected through lei energy to this legendary ghost car!” in Six Sidekicks of Trigger Keaton #6 (2021).

Picture: Kyle Starks, Chris Schweizer/Picture Comics

It’s a goddamn tragedy that Six Sidekicks of Set off Keaton is over and I can solely put up yet another panel from it that made me absolutely stomach chortle and is nonetheless making me chortle as I take a look at it now. His little arm!

The Thing stands shocked over a red field filled with what appear to be the corpses of every entity in the Marvel Unvierse, including Eternity, Arishem, Galactus, Surtur, Fin Fang Foom, and many many other superheroes in The Thing #1 (2021).

Picture: Walter Mosley, Tom Reilly/Marvel Comics

Walter Mosley and Tom Reilly’s The Thing is a real throwback to early Implausible 4 in that it’s a supremely bizarre comedian the place something and all the pieces can occur with out seeming repercussions. But in addition, Ben Grimm is there to floor all of it emotionally.

“You’re trying to build a new generation of villains that you can control?” asks James Gordon. “What better way to advertise our wares than to pit them against your caped crusader?” responds a creepy man in Joker #9 (2021).

Picture: James Tynion IV, Stefano Raffaele/DC Comics

I’m assured sufficient to say that James Tynion IV’s Joker has completely exceeded my expectations and simply retains peeling off increasingly more layers of a “rotten wealthy” onion, as with this last revelation of why the Joker has such a mad-on for the invisible hyper-rich of the world: They’re making an attempt to clone him. Why? To allow them to have their very own designer mind-controlled supervillains to guard and obfuscate their pursuits. That is bonkers and but, for a superhero universe, feels prefer it makes whole sense.

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